One of the rarest of beasts in the litmag world is those precious sites that allow you to send material that has been published previously so that it might reach a broader audience than the weekly Retired Wheeltappers Annual Report. One such delight is Digging Through The Fat and I thank them for their kind indulgence.
This piece was written for the Six Sentence Challenge, with the prompt word of ‘energy’.
With my eyesight rapidly fading, I’m forced to type using a dictation app (so please excuse any Type O’s and things I oughta correct) and I’m reduced to getting my news from the radio and podcasts, but I’m not sure that what I’m hearing is any more reliable.
Having recently recovered from a hardy tack after I got my electricity bill, I keep hearing about the Lou Ming energy crisis and I’m wondering who the hell is Lou Ming and why is his bill more important than mine?
Yesterday I’m sure I heard some Russian guy called Vladimir, put in a call to nuke rain and I was left wondering, is there a big drought over there that hasn’t been mentioned in the whether reports?
I’ve been following an Australia health podcaster (who I think is called the Can Guru) who says the devil is in the tail when it comes to dieting and apparently we all need to exorcise more but I find it just makes my head spin, not to mention my nether region.
I don’t know what to make of a story I heard about Trump running again (from the look of him he’s never run in his life) but maybe it was about him having the runs because apparently he might still go to jail for hoarding after the FBI found far too much paper in his bathroom.
But the last straw for me was some preacher saying we spend too much time contemplating our navels and I was left wondering what thinking about ships or oranges has got to do with the coming rapster.
I was halfway through reading out a news story about how many holes it takes to fill the Albert Hall when Ken Oath, as was his wont, interrupted to branch off into ‘That reminds me of the dreadful potholes that appeared in my street after the Flood of 1985, even though the river height didn’t match the Great Deluge of 1919, as related to me by my grandfather’.
Careful not to draw breath he continued, ‘Speaking of my grandfather, I remember how I used to have to clock on and off at the surgical truss factory where I completed my apprenticeship in the French polishing of rubber goods, only to be made redundant by steady improvements in hernia surgery.’
The word ‘rubber’ in turn triggered a sniggering schoolboy tale about an imported American school teacher who was shocked when one of her students asked for a rubber in class, only to discover later that this was the Australian term for an eraser; ‘Oh, how we laughed’ quoth Ken, with one of those fake snorts people make with the back of their hand to their nose.
Inevitably, he followed that with ‘Did I ever tell you I once had a share in a racehorse called Goosey Gander, whose only claim to fame was finishing third in a three-horse race in the mud at Manangatang and only then after surviving a stewards’ inquiry into why he was being ridden by a wombat?’
As if only just realising it, he feigned apology for his digression but stated that he had in fact returned the conversation to the subject of holes, given the propensity of wombats to dig them and asked if I forgave him.
Looking up, I noticed I was late, found my coat and grabbed my hat and made the bus in seconds flat, hoping that Ken would one day blow his mind out in a car through not noticing the lights had changed.
Over the last 5 years, Jason Splichal and Jeff Sommerfeld have published over 700 writers from around the world in their Sky Island Journal, reaching over 115,000 readers in 145 countries. I am deeply honoured and grateful that they have published three of my flash fiction stories in their Fall 2022 edition. You can either follow the link to the issue and read some of the other fine work as you scroll down to mine or download and read from the links below. For those only used to my humorous jottings, be prepared for the more serious side of my work.
This piece was written for the Six Sentence Challenge, with the prompt word of ‘structure’. What the hell it means I have no idea. 😉
To describe what Jerry had built as a ‘structure’ strained the definition to breaking point and made Escher’s multi-dimensional fantasies seem like a housing project blueprint in comparison.
The foundations, to the extent that they existed at all, consisted of a tissue of lies laid haphazardly on top of the quicksand of his adolescent fantasies of transcending his mundane suburban origins.
The walls seemed like Japanese-style internal sliders but were made of little more than recycled pizza boxes covered in a decoupage of graduation certificates, attendance records, little athletics participation ribbons and degrees purchased from the Oxbridge Online University.
The floors (or, more correctly, flaws) comprised remaindered books rescued from a rubbish skip, including ‘The Wit and Wisdom of Donald Trump’, ‘1001 Ways With Tripe’ and ‘Brain Surgery For Dummies’.
The doors had been salvaged from building site toilets that had reached their use-by date, complete with graffiti of historical significance on the insides, such as ‘Call Samantha for a good time’, ‘Quinoa causes cancer’ and ‘Gravity sucks’.
Immediately after its completion, with a roof consisting of knitted strands of titanium barbed wire designed to both deter pigeons and block the mind controllers, Jerry invited architectural prophets to review his edifice and their words are written on the Subway walls.
This piece was adapted from an earlier piece of mine for the Six Sentence Challenge, for the prompt word of ‘film’.
I’ve picked up a job as an extra in the Coen brothers’ new film, ‘Fargo Is No Country For Old Men’, starring Nicole Theron, and I’m Customer No. 3 on the set of the Transylvania Bar, the one with the bushy beard and mostly in shadow, so no-one picks up on the fangs.
At lunch Nicole sits, alone, under a giant beach umbrella, wearing dark shades (just like mine) and her caked-on make-up gives her skin the look of alabaster as she sips her Rhesus Negative Highball.
We each look over the top of our shades and spiral into each other’s vampiric vortex and she says ‘Do you have a pen and paper?’, leaving me to fumble through my pockets and find a pen and a dollar bill, and she writes in tiny script in the space next to Washington’s head.
She leans toward me and breathes urgently ‘The gods have brought us together but tonight I fly out to my castle in the Carpathians and you must meet me at the address I’ve written on the bill and come with me.’
I head home to pack (what do you pack for an indefinite stay in a castle?) and, stepping out of the cab in front of my apartment building, I see near the entrance a pathetic old man sitting on cardboard to protect him from the rapidly freezing footpath and silently proffering a paper cup, more in hope than expectation, but I take the dollar from my top pocket and drop it in to his cup. Inside my apartment front door, I realise with horror what I have done and, in panic, I return to the street, where the homeless man is nowhere in sight.
The envelope is small, plain and white. My name and address are hand-written in flamboyant italics, and the sender has used a fountain pen. I’ve fallen for this before—vote seeking councillors or dubious local businesses aping the personal touch.
But an envelope that someone has taken the time to address personally is like an appeal to your better nature, not to mention whatever hope you have left for the human condition. So I pick up my paper knife—lignum, a present—and carefully slit the top fold.
The letter inside consists of one pale blue sheet, creased perfectly in half. It is lined and margined, like the writing paper my grandparents used. Above the script, adjacent to the sender’s unexpected address, sits a cartoon goblin, with the words “self-portrait” printed in capitals underneath. Josie, in what could only be a retro moment, has taken the trouble to get in…
Initially, Lester thought it would be interesting to share a cell with Jake, an Australian, given that over the years he’d shared a toilet and washbasin with guys from almost all of the 50 States, but it wasn’t long before he realised his mistake.
Lester thought Jake was the kind of guy who could talk under wet cement and acted as though he believed that any time he closed his mouth he was going to die, so he kept talking just to be sure he was still alive.
Being six-foot six-inches and two axe handles across the shoulders and bearing biceps like beer barrels, Jake wasn’t the sort of guy you could tell to shut up and live to tell the story, and he hated to be ignored.
So day in and day out, Lester had to listen to Jake’s stories, descriptions of Australia’s lethal wildlife, journeys into his family tree, detailed explanations of how to rig up solutions to any mechanical problem imaginable in the Australian outback, and his bottomless pit of dreadful puns (e.g. are vampires bite-sexual?).
Finally, somewhere in the middle of a tale about Jake’s Uncle Bernie (who had six toes on his left foot and believed Aboriginal cave paintings were actually made by visiting aliens) carving a new piston out of hardwood while being attacked by drop bears, Lester snapped and began frothing at the mouth while screaming through the bars ‘Guard!’
As Lester was led away, Jake smiled and muttered to himself ‘Works every time’, assumed the lotus position and returned to his meditations on the mysteries of the universe, including whether if you went to a restaurant called Karma, would it serve just desserts?
Special bonus for Jenne and ceayr. If I could be another nationality, I’d be a Scot.